Tag Archives: Canon

With my head in the clouds

I tell ya it’s not easy getting any photography done with all these UEFA EURO 2008 footy matches on every night! Nothing can stop me though when the light looks to be special and after having sunshine, rain and hail storms visit us during Monday I knew it would not be dull.

I chose a spot at the end of Lake Peblinge and decided that tonight was all about the sky, forget the city. I wanted a cloudscape. Clouds are so common most people overlook their astounding beauty and their importance in a landscape shot. Like an umbrella in a studio Clouds reflect light and will light and colour your scene. Clouds are for dreamers. Enough nonsense, here’s the shot:

Click to see large size on my gallery! Copyright Flemming Bo Jensen Photography

Tropical Cloudscape at Lake Peblinge
Copyright Flemming Bo Jensen Photography

I used my 17-40mm wide angle lens, but did end up using one of tighter shots at 40mm as the composition was better. I shot at f/22.0, iso50 and used a neutral density filter to cut light and be able to expose for 6 seconds maximizing colours and light. I am standing on top of the bridge (it’s more like a road that crosses the lake) “Fredensbro” and it was blowing a gale as the water demonstrates! When shooting a scene like this be very careful with the red channel, it is very easy to blow out if you just measure luminance. The Canon 5D displays an RGB histogram but if don’t have that then measure the light on the clouds and underexpose by a stop and bracket your exposure. The red channel will be at least a stop brighter than the other channels. The compressed 8bit jpeg above actually has a bit of blown red, but the original doesn’t. Blown reds are ugly, avoid them like the plague!

The clouds and colours on this evening were from another place. These are clouds on fire, tropical colours that really do not belong in cold Scandinavia and it was a mesmerizing light show. Clouds for dreamers. With my head in the clouds. Trying not to fall over.

World Panorama Stock & my new Sydney Panorama

As always, it’s a panoramic world for me!

wps-logo I recently became a Pro member of World Panorama Stock, a great stock site that specializes in high resolution, high quality inspirational, Rights Managed only panoramic stock imagery to professional photo researchers, graphic designers, advertising agencies, publishers. I am very happy to be working with them as I am a big supporter of the panoramic format!

Yes, I hardly need to reiterate that I love the panoramic format and World Panorama Stock is a great way to display and hopefully sell more of my panorama photos. Click to see my feature World Panorama Stock page with my bio and the images that I’ve submitted so far. There are many other fantastic panoramas for you to enjoy, check out some of the other featured photographers or use the category or search feature.

Sydney Panorama and the 17-40mm f/4.0 L lens

My latest panorama release is a stitched panorama from Sydney, shot from Kiribilli across the harbour. It is late afternoon and the sun is low and the strong sidelight lights up the Opera House. The panorama is 7 vertical images stitched in PTgui and then I did some post production in Photoshop, including a custom vignetting and some dodging and burning. PTgui did a very respectable job of blending a panorama shot across the harbour even with water in motion. This is the big drawback of stitching digital panos as opposed to a true panoramic 6×17 camera – motion! Especially water is really hard to stitch, there will be a big difference between shots when you have a bit of wind. I probably still have a bit of cloning to do in this panorama shot, but here it is – click the image to see 1000 pixel version on my website:

Click to see large size on my gallery!

Sydney Panorama, Opera House, Skyline and Harbour Bridge

Like many of my panos it is shot with the Canon 17-40mm f/4.0 L lens and I really recommend this for landscape and cityscape work including panoramas. It is super tack sharp (a fair bit sharper than the 24-105mm f/4.0 L lens!) and the coating on this lens produces some fantastic colours even without polarizer (which of course you can’t use in a stitched pano!). Only problem with the 17-40 L – it’s actually too light so it doesn’t create enough counterweight, shooting handheld I always end up with slightly tilted horizons! Well, the weight problem will be cured when I get the 16-35mm f/2,8 L !